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Space is my medium.


Trained in Architecture at the Bartlett + Royal College of Art, I am an award-winning performance designer working across dance, theatre + installation, with a particular interest in site-specific + devised performance.

I bring technical rigour, clarity and ambition to everything I do, and see all my work as a form of spatial, social + sensory activism.

In my solo electronic music practice, Artists’ Child, I sculpt narratively-driven meditative journeys, moving between drone, ambient and dark techno. Drawing on my experiences of shamanic healing rituals, plant medicine, and work in architecture and theatre, I create immersive spatial worlds for audiences to enter into.

I trust in the power of performance to open up space + time to new possible realities, and am interested in expanding what can be achieved politically + socially by collective live experience. My practice is trauma-informed, in terms of both process + audience experience.

I am always interested to work with spatially + socially ambitious collaborators, events and organisations.

I’m often travelling, working in London + Germany.
My home studio is in Sheffield.

*and suddenly the world doubles


BETHANYWELLS .COM
studio@bethanywells.com
+447932009915




Current solo work includes: Artists’ Child, a techno opera, and Listen Behind You*, a spatial sound residency, SHEFFIELD, UK.
*and suddenly the world doubles

Current design projects include: Wish You Weren’t Here, Theatre Centre, UK TOUR, Baby, He Loves You, Middle Child, HULL, UK, Wayfarers, Claire Cunningham Projects, BERLIN, DE.



Winner, BEST SET DESIGN for Distance, Off West End Awards [2018]
Associate Artist, Middle Child Theatre, Hull.
Awarded, 110 Anniversary Scholarship, University of Leeds [2014]
Wallpaper Magazine Graduate Directory [2011]
Winner, Helen Hamlyn Design Awards 2011 GMW Architects Award for Work & City, Helen Hamlyn Centre, RCA [July 2011]
Winner, 'Will Alsop Award for Urbanism', Show RCA [July 2011]
MA Architecture, Royal College of Art [2011]
BSc Architecture, Bartlett, UCL [2007]



2023
Artists’ Child, EMOM, Haggler’s Corner, Sheffield, Fall And Then Rise, Nwando Ebizie, Colour Factory, All That Lives, Grief Series, Leeds 2023, Apples + Snakes: ALL STARS, Roundhouse, The People’s Palace of Possibility, The Bare Project, Arts Admin + Lyth Arts Centre, Extreme Unction Vol 2, Nwando Ebizie, ArtsAdmin, Birds And Bees, Charlie Josephine, Sheffield Theatres / Theatre Centre, Collective Rigour, MA workshop facilitation at Rose Bruford with Hannah Ringham, Come To Ours, workshop facilitation, Sheffield Theatres

2022
Artists’ Child, DYCP grant, You Heard Me, Luca Rutherford, Northern Stage + UK tour, Choreography of Care Symposium, Claire Cunningham, Tanzhaus nrw, Dusseldorf, Written In The Body Charlotte Spencer Projects, Brighton Festival, This Endless Sea Chlöe Smith, Berwick Upon Tweed

2021
C+NTO Joelle Taylor, The Albany, The Ofrenda, Grief Series, Transform Festival, Extreme Unction Vol. 2, Nwando Ebizie, East Street Arts, War Of The Worlds, Rhum + Clay, UK + US tour, Thank You Very Much, Claire Cunningham Projects, MIF/National Theatre of Scotland, European tour, The Distraction Agents, postal/digital project, Third Angel, Choreography of Care, publication design, Claire Cunningham, Tanzhaus nrw, Digesting History, Bare Project / British Library, Party Skills for the End of the World: LOCKDOWN SPECIAL, Nigel Barrett and Louise Mari, MIF / Public Theatre, New York, Hi Vis, Milk Presents, Northern Stage / Derby Theatre

2020
Terrible Rage, micro-grant lockdown appeal, Queer Space, online workshop facilitation, Milk Presents, Leeds City Ofrenda, Grief Series / CLAY, Some Old Street, Bunny, Hampstead Theatre, The People's Palace of Possibility, postal edition, The Bare Project, Party Skills for the End of the World: LOCKDOWN SPECIAL, Nigel Barrett and Louise Mari, Manchester International Festival, Faces in The Crowd, Gate Theatre, FREEDOME, Good Chance, Sheffield Theatres

2019
EITHER, Hampstead Theatre, STORM, Search Party, Thank you Very Much, Claire Cunningham, Manchester International Festival, POPS, Charlie Josephine, High Tide, The War of the Worlds, Rhum + Clay, New Diorama, The Department of Distractions, Third Angel, Sheffield Theatres, Us Against Whatever, Middle Child, Liverpool Everyman + Hull Truck

2018
Part 7: All That Lives, a residency with Grief Series in Mexico City, Rallying Cry, Battersea Arts Centre, Busking It, Danusia Samal, High Tide + Shoreditch Town Hall, DISTANCE, Alex McSweeney, Park Theatre, A New And Better You, Joe Harbot, Yard Theatre, Journey With Absent Friends, Ellie Harrison, Grief Series, LEGACY, York Theatre Royal, None Of The Above, Luca Rutherford, The Department of Distractions, Third Angel, SKIP RAP, Alan Clay, Mind The Gap, Party Skills for The End Of The World, Nigel Barrett + Louise Mari, Shoreditch Town Hall, TRUST, Gate Theatre, The Cruise Project, supported by a Time and Space Residency at Metal Southend

2017
The Book Of Dragons, York Theatre Royal, All We Ever Wanted Was Everything, Middle Child, Paines Plough Roundabout, Cosmic Scallies, by Jackie Hagan, Graeae + Royal Exchange, We Were Told There Was Dancing, Royal Exchange Young Company, Party Skills for the End of the World, Nigel Barrett and Louise Mari, Manchester International Festival, All We Ever Wanted Was Everything, Middle Child, Dark Corners, Polar Bear, Battersea Arts Centre, A Studio Season: Three devised adaptations, RCSSD + Complicite

2016
Removal Men, Yard Theatre, Seen and Not Heard, Complicite Creative Learning, Southbank Centre, Desire Paths, Third Angel, Sheffield Theatres, TANJA, SBC Theatre, FADoubleGOT, Jamal Gerald, Assisted Suicide: The Musical, Southbank Centre, The Factory Royal Exchange Young Company, THE FUTURE Company 3, Yard Theatre, 10,000 Smarties, Josh Azouz, Old Fire Station, Oxford, FUSE, Sheffield Theatres, Late Night Love, Eggs Collective, Live Art Dining, Live Art Bistro, Race Cards, Selina Thompson, Correspondence Old Red Lion Theatre, Dancing Bear, West Yorkshire Playhouse + Contact Theatre, A Local Boy, Invertigo, Partus, Third Angel, Sheffield Theatres

2015
Trois Ruptures Chelsea Theatre, The NEST, Z-Arts, Bubble Schmeisis, Camden People's Theatre, The Win Bin, Old Red Lion Theatre, My Eyes Went Dark, Finborough Theatre, The Unfair, Theatre in the Mill, The Winter's Tale, Orange Tree Theatre, Dancing Bear, Live Art Bistro, WINK, by Pheobe Eclair-Powell, Theatre 503, There, There, Stranger, John Ross Dance, Sadlers Wells + The Place

2014
All I Want, Jackson's Lane, Wilding, Kew Gardens, Disnatured, Shakespeare in Shoreditch, RIFT + New Diorama, The Immortal Hour, Tarquin Productions, Finborough Theatre, Impossible Lecture, Beacons Festival, 17 Finborough Theatre, Canterbury Tales, Impulse Collective, New Diorama, Spokesong, Finborough Theatre, It Burns It All Clean, Selina Thompson, West Yorkshire Playhouse

Portrait by Jim Marsden

Nothing is for sure or forever now
Therefore what

Sketchbook for a techno opera.



A new body of solo work, using spatial sound and modular synthesis. Funded by a DYCP grant in 2022. Currently looking for partners and commissioning venues for the next stage of R+D through 2024 and 2025.



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A post shared by Bethany Wells (@artists_child)


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A post shared by Bethany Wells (@artists_child)






Extreme Unction Vol. 2, Nwando Ebizie, East Street Arts, LEEDS, and ArtsAdmin, LONDON, UK



Extreme Unction Vol 2 is a liminal sonic-ritual art environment inspired by the life and spirit of 12th-century visionary Hildegard von Bingen.



A sonic installation, instrument, performance, and healing space, it is inspired by the works and life of Hildegard von Bingen, inspired by neurodivergent-led design lo-tech, sustainable and biophilic architecture.



Nwando alongside designer Bethany Wells, has created a portable piece of speculative architecture (a miniature hammam) that functions as an installation, instrument, performance space, and communal bathing space. The space hosts a 30-minute piece of sound art by Nwando that responds to the design and creates a multi-sensory environment.



Lead Artist and composer, Nwando Ebizie
Sound Design, Tom Richards
Lighting Design, Shelley James
Dramaturg, Steph Singer
Producer, Emily Moore

Photography, Olivia Sofia Ferrara


Written in the Body, Charlotte Spencer, Brighton Festival, Attenborough Centre for the Creative Arts, BRIGHTON, UK.



Two women delve into their personal and shared memories. They reveal their histories of tactile encounters with people, places and environments - the funny ones, the weird ones. The really not so good ones. It’s a sometimes joyful, sometimes confronting experience as we go on a journey with the performers.

This new dance piece will bathe you in sensation, washing over you and through you - in focus, or drifting. It was imagined long before Covid-19 changed our understanding of touch and how people connect with each other. And yet, here we are, re-learning how to relate socially, physically and emotionally. Rebuilding our sense of ourselves.





Concept & Direction: Charlotte Spencer
Performance: Petra Söör and Louise Tanoto
Sound: Alberto Ruiz Soler
Dramaturgy: Orrow Amy Bell
Design: Bethany Wells
Costume: Shanti Freed
Lighting: Marty Langthorne
Producing support: Pip Sayers & Lou Rogers
Photography & Film: Rosie Powell
Audio Description: Shivaangee Agrawal
BSL: Katie Fenwick


Creation 2022: Co-commissioned by Brighton Festival, Sadler’s Wells and South East Dance with funding from Arts Council England. Additional support from University of Sussex. Co-presented for Brighton Festival with Attenborough Centre for the Creative Arts.


You Heard Me, Luca Rutherford, UK Tour



You Heard Me is for anyone who has been underestimated. Anyone who has been told to shut up. Anyone who has been afraid to walk home.

You Heard Me is a true story.

You Heard Me is a celebration of a single moment of noise that freed Luca from an attack. Made her understand what it means to take up space. To heal. To be part of something much bigger than yourself.







Writer + Performer: Luca Rutherford
Director: Maria Crocker
Dramaturg: Tanuja Amarasuriya
Composer: Melanie Wilson
Designer: Bethany Wells
Lighting Designer: Bethany Gupwell
Movement Director: Stephanie McMann
initial movement by Jenni Jackson


You Heard Me is an ARC Stockton Production co-commissioned by The Albany, Battersea Arts Centre, Cambridge Junction, Northern Stage and Theatre in the Mill. Supported by Cobalt Studios, Hull Truck Theatre, Newcastle University, GIFT Festival and Upstart Theatre.


The People's Palace of Possibility, Bare Project, ArtsAdmin, LONDON, UK, and Lyth Arts Centre, SCOTLAND.



A building site for utopian scheming and rageful dreaming



The Palace asks how we find energy for change, despite our fear and anger about the future. It is rooted in utopias. The mystery of the utopias which have gone before, gone wrong, become dystopian. And in the impulse for escape; of doing something radically different to the world we live in.





Director: Malaika Cunningham
Writer: Joseph Houlders
Producer: Tom Dixon
Sound Design/Composer: Lee Affen with support from James Cooper
Set Design: Bethany Wells with support from Jack Poole and Roanna Wells
Lighting and Video Design: Will Monks
Palace Programmer: Sally Proctor and Sinead Hargan
Performers: Rose Gray, with voiceover by Pauline Tomlin and Reuben Johnson